Letters

NGL writes on the balance between apathy and overload. Plus: big moves from the Kris Jenner of streetwear, Among Us memes, and some mischief

Nathan Graber-Lipperman writes on Gladwell’s latest book — told through the lens of Sandra Bland’s death — and the people we’re unacquainted with

NGL writes on the raw emotion captured by 'All Gas No Brakes,' Kaep's new publishing deal, and the death of the cinema

NGL writes on the Basecamp Boys’ new product, the brilliance of Eurovision, and the cult of Prof G

NGL writes on carving out a space in the modern media ecosystem and the differentiation between voice and niche

NGL writes on his favorite Unplugg’d memories and the importance of celebrating your work while teasing what’s coming next

NGL talks about the responsibilities of companies in 2019 before touching on 'Jesus is King,' the intensified Streaming Wars, and the Great Hack

NGL writes on the tricky world of sales before touching on our first couple of events, Google's latest flagship phone, and more.

NGL touches on the grey area of college entrepreneurship

NGL writes on the random encounter of meeting Jeremy Larkin and how that led to an awesome partnership

JGL writes on Netflix’s fun-yet-forgettable Eurovision ad and Aaron Sorkin’s directorial debut.

JGL writes on the crime drama Bad Education and the perpetual tear-jerker Marley & Me

Jake Graber-Lipperman writes on the endless rewatachability and attention to world-building with Avater: The Last Airbender.